Education

Everyone Can Dance at WICA

We are so thrilled to announce the newest addition to our arts and education programming. Walter and Celina Dill of Everyone Can Dance will be leading two five-week Swing Class Sessions beginning on Sunday, September 28! Read all about it below:

Everyone Can Dance at WICA

part of WICA’s Arts and Education programming
with Walter Dill & Daughter, Celina
in Zech Hall @ Whidbey Island Center for the Arts

5 Sundays: September 28–October 26

Swing 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5:30-6:30pm

East Coast Swing is the best place to start learning partner dance and is probably the most useful and fun dance in our culture. Most local bands that play Swing. There is an immense variety of music that inspires Swing dancing – Rock and Roll, Rhythm and Blues, Pop, Western, and even Big Band! No prerequisite.

Swing 2: Double-time . . . . . . . . . . . . . . . . . . . . . . . . . 6:45-7:45pm

There is a marvelous selection of rockin’ out music that is too fast for Triple-time Swing and too slow for Single-time Swing. If you want to feel good about life, this is the dance for you. Prerequisite: Any Swing class.

Registration

$60/person for a 5-week class series; $45 for 18 & under. $30 for 12 & under with paying adult.

Pay online at www.EveryoneCanDance.com or download registration form here.

Pre-registration encouraged.

Make checks to: WALTER DILL.
Mail to or drop off at Whidbey Island Center for the Arts
565 Camano Ave, Langley, WA 98260. 

More info: 360-301-4755, walter@everyonecandance.com

Why dance?

• Contrary to popular belief, everyone can dance. The Dills have proven this thousands of times. All you have to do is show up and try.

• Get exercise and develop “plays-well-with-others” skills. Name another activity where people of all ages can collaborate and respectfully touch. Bring your kids, parents, partner and friends.

• Find the joy of being creative and experience the satisfaction of finding your own “groove”.

• Dancing was the only physical activity associated with a lower risk of dementia, as reported in a study in the New England Journal of Medicine, 6/19/2003

Walter & Celina

Walter, whose formal education was in art and design (see www.WalterDill.com), co-created Living Traditions Dance (1990-2004) in Seattle, which taught dance to over 14,000 people. Many dance instructors in Seattle took their first dance classes with Walter. Since moving to Whidbey Island in 2006, the Dill’s have hosted over 1,000 islanders in their classes. Celina has now taught with her dad for a decade and is a deeply knowledgeable, skilled and caring instructor. They have been teaching together in Seattle for the past two years and are ready to offer classes again on Whidbey Island.

Dancing for the Dill’s is about becoming conscious of how we move through life, relating creatively and in harmony (non-competitvely) with our partners, friends, families and community as a whole, and of course, having fun.

 

Notes from Last Night's Audition Workshop

WICA hosted our 14th annual Audition Workshop last night taught by Andrew Grenier.

We've compiled the 'take away" notes and hope you'll enjoy reading them as we consider an ongoing "What are You Working On" workshop for actors.

WICA Season Auditions are next week, please call or write to sign up. We'd love to see you!

Big thank YOU to Andy for a great class!


Whidbey Island Center for the Arts

Audition Workshop with Andrew Grenier, August 6, 2014 at 7pm

Take Aways:

Andy was very clear that these are his ideas, what works for him and by no means the absolute truth for everyone. He encouraged all actors to read more plays, read a few Auditioning books and audition audition audition. Strong encouragement to always “keep a few pieces in your pocket” so we dont freak out when auditions come up…reminding us that “we are what we do not what we say.”

He is looking for:

        Show me a skill set that makes me want to work with you.

        Dont put barriers in your way, on Whidbey Island if you need to hold your monologue because the memorization isnt all there, hold the monologue. Help yourself.

        Be present, honest dont try to convince the director, just show

        Dont defuse your energy, no pacing, unnecessary placement of furniture. Own the space

        Choose material in your range, choose strong plays from great playwrights. (Help yourself )

        Choose pieces that give you something to DO

        Choose a piece that tells a story, has a beginning, a middle and an end. Read the play, know what has happened before and after what youve just done

        Do not choose a piece from the play you are auditioning for.

        Do not use pieces these directors have seen you do before, get new work!

        Stay on time, you will be stopped and its horrible

        Pay close attention to that audition sheet, dont be cute on it, dont skip anything, give them as much information as you can. Be honest about conflicts.

        Always slate give your name and the name of the material including playwright (know the playwright!)

        Understand the space, DC is strongest but you can introduce and then move into that space as a way to show body awareness.

        Remember you are auditioning from the moment you walk in the theatre

After an audition answer for yourself:

        What did you like about what just happened

        What would you do differently

        Do you want feedback-okay to reach out and ask for that but not in a negative way like, I was great, why didnt you cast me?

 

Question and answers:

“What mistakes have you seen”  - Andy talked a bit about the occasional presumptuousness of actors; that we know the directors and each other, and rely on that rather than our skills. Hed like to see all of us us come in more professionally. No bullshit. Pay attention to the items mentioned above. Breathe, ground yourself, own the space. Say thank you.

Dressing for Auditions:  Think about the character but dont come in full costume, can always dress towards the character to help the director and yourself.

Accents: Best left for callbacks and individual conversations with director. Just showcase YOU

How to prep: Consider beginning a local “What are you Working On Workshop” keep everybody fresh. Pick a piece that shows off YOU,  practice, rehearse, be confident

 

Download the PDF version of these notes here.